Shine Trabucco: PUB_lic History Podcast

Hello everyone! My name is Shine Trabucco. I am currently a Master’s student in Public History at St. Mary’s University in San Antonio, Texas. I research and write on environmental and borderland history of San Antonio, Texas. I focus on producing digital projects for my research to make it more accessible to reacher broader audiences.

I am a co-producer and editor of “PUB_lic History Podcast.” The podcast covers different topics and projects that are related to public history in different venues around the San Antonio area. The podcast is in its early stages however we are currently working on creating a logo so that we can begin uploading it to different podcasting services such as Apple Podcasts. This project aims to create access and introduce new topics in history for the general public.

You can also find us on Twitter!

Sean Fraga: Digital Visualizations of Pacific Northwest Maritime Trade Networks during American Settlement, 1851–61

Hello everyone! I’m Sean Fraga. I hold a Ph.D. in history from Princeton University and am currently a lecturer in the Princeton Writing Program. I study links between mobility, technology, the environment, and social change. My current research explores the role of steam power in American territorial expansion, especially in the Pacific Northwest. 

At this year’s Six Shooter session, I’ll be discussing my digital history project, They Came on Waves of Ink: Pacific Northwest Maritime Trade at the Dawn of American Settlement, 1851–61. This project created maps and data visualizations from archival U.S. Customs records to show commercial links between Puget Sound’s first American settlers and the Pacific World. 

Waves of Ink tells the stories hidden in a beaten-up, handwritten ledger. In 1851, the United States created the Puget Sound Customs District as part of the nation’s territorial expansion to the Pacific Coast. During the district’s first decade, U.S. Customs officials used this ledger to record a wealth of information about each vessel arriving and departing Puget Sound: its name, nationality, tonnage, type, place built, registration, voyage dates, inbound and outbound ports, captain’s name, cargo carried, and details about the crew and passengers. 

My research team and I transcribed roughly 4,500 entries across 150 pages. A copy of the preliminary transcription is available on GitHub. This project was supported by Princeton’s Center for Digital Humanities, which hosted me as a postgraduate research associate during spring semester 2019. I am now preparing the dataset and related articles for publication.

This project helps reveal the importance of maritime trade to American colonization of the Pacific Northwest. At the WHA, I’ll discuss the transcription process, readying the dataset for analysis, and ways of exploring the data with Excel, QGIS, and Palladio. 

2017 WHA Six-Shooters Session

The 2017 Six-Shooters digital history lightning round session, sponsored by the WHA Technology Committee, featured nine presenters sharing their research, teaching, and public projects at the WHA conference in San Diego, CA (photos by Doug Seefeldt, session chair):

  • Adam Arenson, Manhattan College
  • Jared Eberle, Oklahoma State University
  • Jason Heppler, University of Nebraska at Omaha
  • Jessica Kim, California State University, Northridge
  • Chris Repka, St. Mary’s University
  • Douglas Seefeldt, Ball State University
  • Jay Taylor, Simon Fraser University
  • Bryan Winston, St. Louis University
  • Linnea Zeiner, San Diego State University

Jason Heppler: The American Indian Digital History Project

Greetings! I am Jason Heppler. I am at the University of Nebraska at Omaha where I am the Digital Engagement Librarian and an Assistant Professor of History. UNO has a major focus on community engagement and service learning, and in my role there I lead initiatives in public history and digital engagement. That mission forms a key part in the soft launch of the American Indian Digital History Project, led by Kent Blansett and myself.

The aim of our project is to develop and cooperative digital archive, seeking to partner with Native Nations and Indigenous communities throughout Native North America. Our plan is to digitize newspapers, photographs, and archival materials in order to increase access to historical Tribal documents and encourage responsible research into American Indian history. As part of these partnerships, we will also work with Tribal governments to create a digital repository for local Tribes. The initial launch of the archive has digitized the entire run of Akwesasne Notes and will soon be digitizing and releasing a Native-produced law journal, plate glass negative photographs, and material acquired through our Mobile Archives initiative.

Linnea Zeiner: HACKING History

Hi everyone! My name is Linnea Zeiner and I am a Lecturer at San Diego State University and a doctoral student in Communication at UCSD. In The Department of Classics and Humanities at SDSU I am exploring inverted approaches to teaching Honors and GE Courses utilizing transmedia, deformance, and mixed realities. I work out of the experimental and collaborative environment of the ITS Learning Research Studios, where students utilize state of the art technology to engage in visual analyzations and critique social constructions.

In my talk, Hacking History with Layered Student Research, I will share how undergraduate students at San Diego State University are being connected across disciplines through digital learning activities. This multi-modal presentation outlines Digital Humanities pedagogical research that began in the Spring of 2015 with lower-division U.S. History classes and has continued through 2017 with upper-division Humanities classes on “The Future” and American Culture. The designed pedagogy is highly influenced by Michael J. Kramer, The Situationists, Johanna Drucker’s visual production of knowledge, media theory, and punk pedagogy.

Doug Seefeldt: “The Last of the Mohicans Realized in London”: Visualizing the Wild West in Britain, 1887-88

In 1887, William F. “Buffalo Bill” Cody embarked for England on his first international tour. During the original London run of Buffalo Bill’s Wild West–coinciding with the celebration of Queen Victoria’s Golden Jubilee–the Wild West routinely played to more than twenty thousand people in fourteen performances a week. It was the subject of nonstop coverage in the London press and enthralled the country’s political and cultural elites. Over two million visitors witnessed the spectacle, and millions more read about it.

This digital research project uses topic modeling and text analysis tools to analyze popular representations of the American West published in London prior to the arrival of Buffalo Bill’s Wild West in 1887. It visualizes how these widely-read texts shaped and reflected conceptions of the American West among the British reading public and compares these visualizations to textual analyses of promotional material generated by Cody’s marketing team as well to commentary on the performances in British periodicals and newspapers.

Preliminary findings suggest that while Cody was depicted as the “Last of the Mohicans” in the Illustrated Penny Press upon his arrival in England–a representation that conflated early and late-nineteenth-century American frontier experiences–he departed having conveyed to his imperial-era British audience a new sense of the American West as the locus of a distinctive crucible of civilization-building in an increasingly globalized age.

Jessica Kim: Form and Landscape

Greetings from Los Angeles!  My “Six Shooter” will focus on Form and Landscape: Southern California Edison and the Los Angeles Basin, 1940-1990, a digital exhibit organized in 2014 as part of Pacific Standard Time Presents, a Getty Research Institute initiative designed to showcase Southern California’s impact on modern architecture and urban forms.  A corporate photography archive, particularly of a utility company, might at first sound incredibly mundane.  However, the Southern California Edison photo archive, from which this exhibit drew, is arguably the most vast and compelling visual narrative of explosive metropolitan growth in Los Angeles.

Form and Landscape was not the first digital exhibit of its type and it certainly will not be the last.  The project creators and curators, however, believe that the exhibit was remarkable for a number of reasons, almost all related to scope and scale.  The archive from which we drew contains an astounding 70,000 images.  These images were produced over almost a century (late 1880s to 1970s).  The images capture landscapes from across California and beyond, from home kitchens to the Hoover Dam.  The project involved eighteen curators and the exhibit included over 500 images.  Themes and images range from the small and intimate (text and domesticity) to the expansive and vast (landscape and technology).  And finally, we welcomed far more virtual visitors than we will ever have readers of our books or articles: 60,000 at last count.

The exhibit lives here: http://pstp-edison.com/

And you can access the archive here: http://cdm16003.contentdm.oclc.org/cdm/landingpage/collection/p16003coll2