Jason Heppler: The American Indian Digital History Project

Greetings! I am Jason Heppler. I am at the University of Nebraska at Omaha where I am the Digital Engagement Librarian and an Assistant Professor of History. UNO has a major focus on community engagement and service learning, and in my role there I lead initiatives in public history and digital engagement. That mission forms a key part in the soft launch of the American Indian Digital History Project, led by Kent Blansett and myself.

The aim of our project is to develop and cooperative digital archive, seeking to partner with Native Nations and Indigenous communities throughout Native North America. Our plan is to digitize newspapers, photographs, and archival materials in order to increase access to historical Tribal documents and encourage responsible research into American Indian history. As part of these partnerships, we will also work with Tribal governments to create a digital repository for local Tribes. The initial launch of the archive has digitized the entire run of Akwesasne Notes and will soon be digitizing and releasing a Native-produced law journal, plate glass negative photographs, and material acquired through our Mobile Archives initiative.

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Jessica Kim: Form and Landscape

Greetings from Los Angeles!  My “Six Shooter” will focus on Form and Landscape: Southern California Edison and the Los Angeles Basin, 1940-1990, a digital exhibit organized in 2014 as part of Pacific Standard Time Presents, a Getty Research Institute initiative designed to showcase Southern California’s impact on modern architecture and urban forms.  A corporate photography archive, particularly of a utility company, might at first sound incredibly mundane.  However, the Southern California Edison photo archive, from which this exhibit drew, is arguably the most vast and compelling visual narrative of explosive metropolitan growth in Los Angeles.

Form and Landscape was not the first digital exhibit of its type and it certainly will not be the last.  The project creators and curators, however, believe that the exhibit was remarkable for a number of reasons, almost all related to scope and scale.  The archive from which we drew contains an astounding 70,000 images.  These images were produced over almost a century (late 1880s to 1970s).  The images capture landscapes from across California and beyond, from home kitchens to the Hoover Dam.  The project involved eighteen curators and the exhibit included over 500 images.  Themes and images range from the small and intimate (text and domesticity) to the expansive and vast (landscape and technology).  And finally, we welcomed far more virtual visitors than we will ever have readers of our books or articles: 60,000 at last count.

The exhibit lives here: http://pstp-edison.com/

And you can access the archive here: http://cdm16003.contentdm.oclc.org/cdm/landingpage/collection/p16003coll2